Sunday, December 21, 2014

Making a bent endpin

Hello Bass players!

I recently spoke to a great room of teachers at the NYSSMA Winter Conference here in Rochester, NY. One of things I recommend highly to teachers who must keep their bass players standing (for whatever reasons) is to use a bent endpin.  My favorite supplier is Slava.net but sadly the owner has decided to close the business.  And my research for another supplier led me only to sites that sell a kit which you place on the bottom of the bass that provides for a spot for the straight endpin (which you also buy) to be angled back correctly.  But those kits run about $250, which seems quite out of reach for most public school programs.

So today I'd like to share with you the directions, as given to me by George Vance about 15 years ago.  Don't be put off by the need for a gas torch.  Your facilities department may have one.  I purchased one from an Ace Hardware store years ago and they are lightweight and very easy to use.

HOW TO MAKE A BENT ENDPIN

Any steel rod may be bent.  Grunert uses the Gotz endpin assembly which has a sufficiently thick rod (10mm).  If a thinner rod such as is found on cheaper endpin assemblies is bent it will tend to wobble.  It is possible to bend hollow endpins such as the Ulsa model but the procedure is more complicated.  The rod is bent so that it will hit the floor at a point lined up with the back edge of the bass when it is in playing position.

The bass cannot be carried around with the non-retractable bent endpin sticking out, so a sort rod with a rubber tip (or a wheel) is a necessary piece of equipment.

Equipment:

  • Mapp Gas torch. Propane will work but more slowly
  • Vise
  • Bucket of water
  • grinding wheel or hand file
  • Endpin (I have purchased lengths of 10mm steel from the hardware store to do this)
  • rubber cap - if you are using plain steel which you purchased


How to do it:

  • The endpin will be bent at the point where it leaves the socket when it has been adjusted for playing. (Simple math here: measure how far out the student is using the endpin, then accommodate for the angle when deciding how far up to bend the endpin - ex: 4" of  straight endpin will yield 5.6" of length before the bend)
  • Clamp it vertically in the vise and heat the bending point to incandescence.
  • Wearing a glove, pull the endpin back to the desired angle. (44 degrees is optimal, I'm told by George)
  • Remove it from the vise and plunge it into a bucket of water to temper the steel.
  • Grind a flat spot on the pin just above the bend.  This is where the screw will hit when it is installed.  Without this flat spot the endpin would twist in the socket.
Here is the page written by Francois Rabbath talking about why he developed the bent endpin idea and how it helps players.


My recommendation is still that players sit from the time they start learning to shift.  However, I have run into enough teachers telling me that they aren't allowed stools or don't have room for stools that I want to make this possibility available to everyone.

Please feel free to contact me with questions!  gmccormick@esm.rochester.edu

Happy practicing and happy holidays!
Gaelen

Wednesday, December 10, 2014

Holiday bass carols event - this Saturday at 3pm in Rochester

Dear Bass Community,

Dan Ziemann and I, both teachers at the Eastman Community Music School are hosting an afternoon of FREE bass ensemble fun, playing through some holiday tunes and new swinging arrangement Dan has done just for us!  The Eastman School is where we'll meet this time, in room 209 which can be reached either by elevator or taking the grand staircase up from the main hall.  We will read through the carols at 3pm, take a short break, then play them through for our friends and family.  All levels are welcome and parts are available for any ability - yes even all open string parts are available!



We really had fun at our last community event - the Open Studio Class - and can't wait to see everyone this weekend and play together.

Parts can be found here:
https://www.dropbox.com/sh/tcq5l9qara9jlg8/AACQJj0PvAgFmkbp598qgj58a?dl=0

Feel free to browse the folders and see what appeals to you, print it off and join us Saturday!

Happy practicing!

Gaelen

Sunday, December 7, 2014

NYSSMA 2014 Winter Conference presentation

My dear bass friends,

I just finished giving my second presentation to the NYSSMA conference attendees. Since last year's topic was right hand, his year I spoke about left hand technique and development.  What a great crowd of teachers and players!  For those of you who couldn't join us , or who want to follow up with me, I'm going to give all the handouts below.



click here to grab them from Google docs: https://drive.google.com/file/d/0B2u-DJW4jF15UjZrODVYNjlQSHM/view?usp=sharing

Please give credit if you are going to use them for any publications, but otherwise just grab them and start working with your students.

I'm incredibly happy three of my students got up early to come downtown and help me out (you really should have seen how professional they all were!) - Jill Alexander (5th grade), Mabel Zawacki (7th grade) and Sarah Wager (10th grade).  They were my role models and did a great job trying out some of the exercises we talked about, and they played a few of the solos that are mentioned in those sheets but were not included online.  Most of my examples come from Progressive Repertoire volumes 1 and 2, and the Essential Elements series.  I chose Essential Elements because I see that book being used the most frequently in NY state.

I'm happy to come work with your bass students at your school, so please feel free to contact me about that.  I'm also happy to try skype-ing with a group class if the distance from Rochester is far.  And - save the date! - I'll be hosting the Rochester Bass Retreat in mid-August 2015 for teachers and players of all levels.  This year will be 3 days of fun including a track for pedagogy (with in-service credit available), new jazz and classical teachers coming in to work with us, and large bass ensemble where we'll all (yes, even you teachers) work on preparing a couple of works for last recital of the retreat.

Meantime, happy practicing, as always!
Gaelen